“You hear a sound. Hesitate. Nothing. You continue on in the darkness. There, that sound again.”
Creative writing tutors call this type of narrative second person viewpoint, as opposed to first person or third. However, like with other viewpoints, variations exist. Taking the opening sentences – would you say that the writer is teasing the reader to a point, trying to create an atmosphere of tension with the hope of scaring or thrilling them? Probably.
Authors sometimes try a different technique using “You”. Writing to a fictitious family member or friend. Or ex-lover. In these cases, the narrative tends to shift to a more intimate/personal tone.
In my current novel in progress, I address most of the narrative to the main character’s childhood friend in a sort of eulogy, in order to sort out problems with inner monologue and help shape the more subtle aspects of the structure.
And, of course, to avoid the “Show, Don’t Tell” problem.
Hope it works.