The Novel: Halfway Through The Polished Redraft

Sounds incredible, but after six and a half weeks of making alterations, I’ve reached the halfway point of the story, a psychological thriller set in Lancashire.  Clearly, I’ve been at this point before – several times, in fact – and anything can happen from here.

One of the difficulties lies in getting the plot just right.  The question of tweaking.  Ruthless editing. As I’ve stated before, toning down an idea doesn’t always help. Life’s full of complexities, of people reacting under pressure and making choices that often bring about unwanted consequences.  No one’s perfect.  Everyone makes mistakes. In thrillers, characters often inadvertently invite some of the danger that follows, often subconsciously. Tweaking to reduce complexity robs the story of its true nature.

The solution, I think, rests in hinting at the unexpected story strands at earlier points in the manuscript, so that when the denouement comes, it appears as the only possible outcome to the mounting dramatic climb.

Complicated.

January will mark my seventh year of blogging at WordPress, so let’s hope 2016 is a good year all round.

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Meanwhile, my two novels are available from Amazon in paperback and e-book.

Check out the reviews for Secrets by Lawrence Estrey.

Newspaper article on author.

EggHead by Lawrence Estrey: Questions And Answers

EggHead reviews

 

 

 

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The Novel: Ploughing On

As I’ve often stated before, the process of writing, producing and marketing a novel seems to go on indefinitely.

Recently, I took professional editorial advice and am now going through the opening chapters, sorting out issues that might not always seem plausible.  I think the problem lies in having several unusual story ideas.  A reader might accept one or two of these ideas before dismissing the story as lacking credibility.

I’ve also found that ruthless editing doesn’t always fix the problem.  In fact, the changes can upset the balance of the story, resulting in an overall copy and paste feel.  Possibly, the solution rests in developing the elements of the story in a way, so that events that may seem unbelievable make perfect sense because the writer has taken care to show how those events have come into being.  In other words, anything’s believable but you have to tell it right (or something along those lines).

I expect to keep busy with the novel over the Christmas period.

Till next time.