Still busy ploughing through my novel, cutting redundant scenes that have no purpose at all in the story and upping the psychological immediacy throughout.
Psychological immediacy requires careful control. As creative writing instructors like to say, less is best. A few simple sentences that evoke powerful images in the reader’s mind without the writer having to do much work. Trying too hard destroys psychological immediacy. Sentences that create psychological immediacy should come naturally.
I’ve also cut a viewpoint character. The character in question appears in a couple of scenes, but those scenes don’t add to the story, just slow the pace. Plus, other, more dramatic scenes, bring out the same aspects of the story.
I’m 47, 000 words in the novel, about halfway through. The novel falls into the crme genre, with an emphasis on psychological thriller. The second half has a lot of challenges and I still haven’t decided exactly how to proceed with the progression of events, so I’m reading through the first half and making notes.
Difficult, but rewarding.